Professional Affiliations

Active member of the Dramatists Guild.


Education

Edward Albee Playwriting Workshop and Modern Drama Seminar, The University of Houston.

  • Selected by Edward Albee for his semester-long master class in playwriting and modern drama.

MFA in Writing, the School of The Art Institute of Chicago.

  • Trustee Fellowship.

BA, English Major in Writing Fiction, Northwestern University.

  • Edwin L. Shuman Award for Fiction.


Professional Development

2025: Chicago Musical Theatre Writers Workshop, American Music Theatre Project at Northwestern University – led by Dr. Masi Asare, Artistic Director, AMTP.

  • Developed "Computer Chess" through 10-week intensive workshop program.


Current Projects

Together with collaborator Robert Melton, I create original musicals:

  • Computer Chess – in this musical comedy-drama adapted from Andrew Bujalski's cult film: In 1980, computer programmers compete to build the first chess machine that can beat a human. A couples' encounter group explores what it means to be human. Double-booked in a hotel ballroom over one weekend. Who — or what — evolves first? 

    • Full libretto complete; demo recorded.

  • SOPHiE – In this rock musical set in 1995: When terrorizing strangers by phone stops being fun, 20-something Sophie forms an all-female band bent on revenge—only to discover her worst impulses make the best songs, and collaboration might save her life.

    • Full libretto complete; demo recorded.

  • Other Ways – a musical connecting two captivity narratives separated by more than three centuries.

    • Script in draft; music and lyrics in development.

  • Jaybird Woodpecker – a musical about the violent 1889 conflict between the Jaybirds and Woodpeckers in Fort Bend County, Texas, and the buried secrets that surface a hundred years later.

    • In early development.


Awards, Grants, & Fellowships

  • Rockefeller Foundation Multi-Arts Production (MAP) Fund Grant, 2007 (with Rubber Repertory)

  • Outstanding "None of the Above," Austin Critics Table, 2009 (The Casket of Passing Fancy)

  • Best Actress, Austin Critics Table, 2009 (The Casket of Passing Fancy)

  • Best Comedy, Austin Critics Table, 2007 (The Assumption)

  • Finalist, Heideman Award, Actors Theatre of Louisville, 2005, 2006, 2007

  • Semi-Finalist, PlayLabs Festival, The Playwrights' Center, 2006

  • David Mark Cohen New Play Award Nominee, 2004, 2007

  • Trustee Fellowship, The School of the Art Institute of Chicago, 1999-2001

  • Edwin L. Shuman Award for Fiction, Northwestern University, 1991


Theatrical Productions

  • Texas Music: The Untold Stories (Performance Director, 2020) Directed the inaugural Texas Monthly & SXSW music and storytelling show at ACL Live Moody Theater, featuring T Bone Burnett, Shawn Colvin, Charley Crockett, and Lil' Keke. (SXSW canceled due to COVID-19.)

  • Texas Monthly LIVE (Producer & Director, 2018) Conceptualized, co-wrote, and staged Texas Monthly's first full-length multimedia event at the Paramount Theatre, blending journalism with theatrical performance. Musical director: Carrie Rodriguez.

  • Inappropriate Touching (Solo Performance, FronteraFest Long Fringe, 2014) A darkly comic storytelling piece exploring personal history and cultural taboos.

  • The Casket of Passing Fancy (Co-creator & Performer, Rubber Repertory, 2008) An immersive theatrical experience where audience members selected from 500 unique, once-in-a-lifetime experiences. Funded by the Rockefeller Foundation MAP Fund.

  • 10 Works of Art (Playwright, Actors' Apprentice Showcase, Actors Theatre of Louisville, 2007) Published in Hobart. Finalist, Heideman Award.

  • Have You Ever Been Assassinated? (Playwright & Librettist, Rude Mechanicals, 2006) A politically charged, genre-blurring play with music by composer Graham Reynolds. Finalist, David Mark Cohen New Play Award.

  • The Assumption (Contributing Writer, Refraction Arts, 2006) Best Comedy, Austin Critics Table.

  • This Is How Life Is Created (Playwright, Austin Script Works, 2004) Published in Fence Magazine and Fence Books' A Best of Fence: The First Nine Years. Finalist, Heideman Award.

  • Don't Drown (Playwright, Rude Mechanicals, 2004) David Mark Cohen New Play Award nominee.


Publications

  • Fence Books, A Best of Fence: The First Nine Years (2009) — "This Is How Life Is Created"

  • Fence Magazine (2004-2005) — "This Is How Life Is Created"

  • Hobart (2007) — "10 Works of Art"

  • ScriptWorks 20/20: 20 Plays from 20 Years of Out of Ink (2018) — "American Women And Their Hatchets"

  • The Austin Chronicle (2003, 2005) — short fiction, honorable mention


Stage Performances

Performed extensively as an actor and storyteller throughout Texas (2011-2019), including solo and ensemble work at FronteraFest, Fusebox Festival, the Austin Film Society, and The Story Department. Co-founded The Grownup Lady Story Company with Annie La Ganga (2012-2016).


Film Performances

  • There There, dir. Andrew Bujalski (2022) - phantom cast member

  • Dear Mr. Brody, documentary, dir. Keith Maitland (2021)

  • TOWER, documentary, dir. Keith Maitland (2016)

  • 7 Chinese Brothers, dir. Bob Byington (2015)

  • Results, dir. Andrew Bujalski (2015)

  • Computer Chess, dir. Andrew Bujalski (2013)

  • Harmony and Me, dir. Bob Byington (2010) — voice actor


Selected Collaborations

  • Rude Mechanicals (Austin, TX) — Company member and playwright, 2006-2010

  • Rubber Repertory (Austin, TX) — Guest co-creator, 2008 and 2011

  • Texas Monthly / SXSW — Performance director and producer, 2018 and 2020

  • Austin Film Society — Co-producer, host, and storyteller, 2014-2017

  • Fusebox Festival — Guest artist, 2006 and 2015


Other Professional Work

  • Rough cut screener for filmmakers including Andrew Bujalski, the Zellner Brothers, Bob Byington, Keith Maitland, and Karen Skloss

  • Panelist, Literature Grants, City of Austin Cultural Arts Division (2008)

  • Screener, Narrative Features, SXSW Film Festival (2008-2009)

  • Moderator, Texas Book Festival (2013, 2015)

  • Dramaturg, Austin Script Works and Rubber Repertory


Selected Press

Coverage in American Theatre Magazine, The Austin Chronicle, Newcity Stage, the Austin American-Statesman, Arts+Culture Texas, the Texas Observer, and the Chicago Reader. Full bibliography available upon request.